In the lounge of Virginia White’s elegant Hampstead Heath flat, partitions in Dulux ‘Timeless’ showcase items from her in depth assortment of artwork, and a Dominic Schuster mirror above the Jamb chimneypiece. An armchair in Anni Albers’ ‘E’ inexperienced linen from Christopher Farr Fabric faces a ‘Temple Home’ couch and ‘Tray High’ desk, each from the Virginia White Assortment.
Christopher Horwood
There are such a lot of parts concerned in adorning a front room and it's a room that we spend a variety of our time in so that you need to get it proper. To make it extra difficult, you should take into account the truth that you'll spend time in a front room at numerous factors of the day, so it must work as nicely at noon as it’ll with the curtains drawn and candles lit. Beginning with the bones of the room, there are paint colors and flooring to resolve on, which can set the tone of the area. We love the distinguished really feel of wooden floors, ideally with some rugs layered on high for softness. Contemplate placing in some joinery and bookcases that may aid you profit from the room's top and supply invaluable storage. For those who're fortunate sufficient to have a fire, make it a focus, arranging your sofas and chairs to face it, and adorning the mantelpiece with photos and ornaments.
Soar to:
- The best way to design a front room
- How to decide on your front room furnishings
- The best way to accessorise a front room
- The artwork of the lounge
- Lounge concepts to repeat now
How do you design a front room?
It’s best to begin with the area itself and map out the place all of your massive furnishings may go – so your couch, any armchairs and freestanding bookshelves for instance. Sure issues are simple, corresponding to an ottoman or espresso desk will go in entrance of a settee or in between two dealing with one another, however others rely totally on the area you will have. Upon getting that in your thoughts, take into account the sunshine the lounge receives and that may aid you select the paint colors. For the way that may affect your determination, you possibly can learn Joa Studholme's information in our gallery of Farrow & Ball paint colors in actual houses. While you've mapped your key bits of furnishings and chosen the paint colors, that's when you possibly can add within the prospers to make it cosy and select cushions, a rug, storage and so forth to fill the area out.
The London flat of inside designer and seller Georgie Stogdon has an elegantly pared-back aesthetic, with white partitions warmed up by textiles and attention-grabbing items. A settee designed by Georgie, in a Japanese canvas from Fabric Home, and a mid-century leather-based and tubular metal chair are organized across the waney-edged oak espresso desk. Blinds in James Hare’s ‘Orissa’ silk in teal choose up on an American jacquard loom textile, c1850, purchased from Aaron Nejad Gallery.
Jake Curtis
How to decide on your front room furnishings
At that time, it's time to think about how to decide on your front room furnishings, considering how you employ the area, what sort of couch you favor, what number of armchairs you possibly can slot in, whether or not you want a settee mattress, and the significance of a espresso desk or ottoman, and naturally aspect tables to place a drink on. The fitting furnishings could make an enormous distinction to the sensation of a room. Contemplate the size of it – you don't need tiny furnishings drowning in an enormous room, though small residing rooms can typically profit from some outsized furnishings. In an open plan residing room-cum-kitchen, furnishings may be important for breaking apart the area; a settee with its again turned to the eating desk is a helpful method of differentiating between the residing area and the eating area. And take into account how you employ your furnishings earlier than you make the ultimate determination – do you favor to lounge on a squashy couch or is that this a extra formal room the place you'd choose to take a seat upright?
The best way to accessorise a front room
Lastly you will get to the actually enjoyable bits, the textiles and equipment. The scale and form of your window would possibly dictate your decisions in terms of curtains and blinds, however there's an enormous selection on the market to select from. Maybe you want easy, elegant curtains in heavy linen or wool, or one thing brighter and chintzier for a extra eye-catching really feel. In a small room, chances are you’ll nicely choose to stay to blinds, however take into consideration getting them in a enjoyable sample in order that they grow to be an ornamental function. Nearly each front room will probably be in want of a great rug, whether or not you go for rustic sisal, a contemporary Berber rug or a conventional Turkish carpet. After which what’s a settee with out some stunning cushions? They’re important for including color and sample to a room.
The artwork of the lounge
Turning our consideration again to the partitions, the ultimate factor you’ll want is a few artwork, so don't miss our procuring information to reasonably priced artwork, in addition to our recommendation on the best way to begin a set. And when you’ve assembled all of it, discover out the perfect methods to hold your photos on the partitions, with useful suggestions for gallery partitions, assertion artwork and every thing in between.
For those who’re in want of inspiration, we’ve gathered the perfect front room designs and lounge concepts from the Home & Backyard archive right here to assist together with your ornament, from nation homes to studio flats and London townhouses.
Lounge concepts to repeat now
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Peter Dixon1/101 To present a smaller, metropolis residence the texture of an English nation home, the layering of fastidiously chosen antiques, artwork, furnishings and textiles is essential. The Chelsea cottage reworked by Sarah Morris is a masterclass on this method.
An early Nineteenth-century Italian Breccia marble fire from Nicholas Gifford-Mead, with a George II giltwood mirror from Adam Calvert Bentley above, provides the drawing room a focus and a way of grandeur. The consumer particularly requested a blue scheme, so partitions have been painted in a fantastically calming shade of greeny-blue from Francesca’s Paints, which is echoed by a lot of the upholstery on the furnishings.
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Dean Hearne2/101 The Seventeenth-century cottage of artist Rachel Bottomley is crammed with color and sample. Initially a tiny constructing with simply 4 rooms, it was prolonged within the Nineteen Seventies and ’80s by its architect proprietor. Now, a low-ceilinged entrance opens onto this light-filled, sunken sitting room, the place a pure glasscloth wallcovering from Phillip Jeffries covers the partitions is contrasted by the hearth in Farrow and Ball’s ‘Bancha’. The lighting is by Pooky.
In case you are coping with an ungainly or uncommon structure, it’s typically value investing in a bespoke or adaptable piece. Right here, the couch was {custom} made for the three-sided area by Balmain & Balmain and coated in Man Goodfellow Assortment’s ‘Olive Sacking’. It’s teamed with an previous blanket field wrapped in a Welsh blanket that Rachel inherited from her grandmother, repurposed as an ottoman.
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Ngoc Minh Ngo3/101 For these with bigger residing rooms to furnish, carving out multiple seating space may be very efficient. This enables for extra intimate spots alongside extra beneficiant areas for entertaining family and friends.
On this Connecticut nation home by Hugh Leslie, a textile and cell – each by Alexander Calder – are the focus of the primary seating space, which has an ottoman topped with an African textile from Afridi Gallery, bespoke sofas in Pierre Frey materials, a wingback chair from Max Rollitt and a rug by Sandy Jones. The window seat, in the meantime, is in Claremont’s aqua ‘Straub Twill’ and is framed by curtains in Christopher Farr Fabric’s ‘Japura’ coral wool combine. The accompanying picket armchairs are in Pierre Frey’s vibrant ‘Coeurs de Marie’.
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Paul Massey4/101 A heat, earthy scheme has been created on this north London villa by Brandon Schubert with a mix of partitions in wheat-coloured paper-backed linen from Warris Vianni and curtains in Fortuny’s ‘Dissolvenza’ cotton. The couch is upholstered in Pierre Frey’s ‘Tyrone’ wool tweed and the richly patterned rug is an Ushak vintage discover.
The paintings displayed on the partitions consists of plenty of classic vintage items picked up by one of many homeowners at numerous gala’s and markets, in addition to a big framed textile by Alexander Girard above the couch, which ties the scheme collectively completely.
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Sarah Griggs5/101 Within the sitting room of this Notting Hill flat by Natasha Fast, partitions in ‘Stone White 40%’ by Edward Bulmer present a serene backdrop to an array of furnishings, a lot of which the purchasers already owned and Natasha had reupholstered to select up the colors of the prevailing Soane curtains and paintings, together with a Robert Kime couch in Lee Jofa’s ‘Entoto Stripe’ and an armchair in a darkish inexperienced corduroy from Rose Uniacke.
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Dean Hearne6/101 Layering textiles and vintage finds to boost its plaster partitions, uncovered beams and terracotta ground, inside designer Ceara Donnelley has created an inviting haven in her Manhattan condominium that feels extra like Provence than New York.
A Swedish Grace ground lamp from MDRN in Vienna sheds mild on an vintage couch in Claremont's 'Tree of Life', set off by a Gregory Parkinson throw from Ruth Runberg. The classic Swedish flatweave wool rug from Doris Leslie Blau echoes the tones of a Nineteen Eighties Donghia scagliola mirror through which an Italian mid-century brass chandelier from Carlos de la Puente Antiques is mirrored.
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Christopher Horwood7/101 Shopping for a home through which little has been modified for 40 years may appear a frightening prospect. However for Rosie Hayes it was an opportunity to have fun the timeless interiors created by Robert Kime and replace them sympathetically with the assistance of the studio’s present managing director, Orlando Atty.
Within the sitting room, the ottoman is from Robert Kime. Two work – Paul Wadsworth’s Monkey Palace and A Pair of Looking Canine from Collier Antiques – stand out in opposition to {custom} inexperienced partitions on both aspect of the prevailing crewelwork curtains. The 2 chairs are coated in ‘Indian Pear’ by Robert Kime, whereas the couch is within the firm's ‘Larsson’ design.
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Jasper Fry8/101 The comfy front room in artist Monica Grose Hodge's Bloomsbury flat. On both aspect of the Chesney’s Portland stone Regency Bullseye fire cling a pair of rag photos by Monica. The ottoman was an early buy from John Lewis some twenty years in the past.
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Christopher Horwood9/101 The primary ground front room partitions of this 18th-century Huguenot home are in the identical blue that they had been when the proprietor purchased the home in 2019, as a result of they work so nicely. The Howard-style couch was made bespoke by Larsen Oliver and is upholstered in one other vintage Anatolian textile, used on its reverse in order that there aren’t any tufts on present. The Grandfather clock on this room got here from Max Rollitt, whereas the Moorish hexagonal desk to the correct of the couch got here from Simon Pugh.
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Michael Sinclair10/101 The sitting room in Rita Konig's newly configured flat has partitions coated in ochre linen from GP & J Baker. Material partitions function all through and are one of many many 'grown-up fantasies' that Rita indulged. The linen partitions showcase a formidable artwork assortment. An Emma McClure nonetheless life gives a focus over the mantelpiece. To the left, a placing summary work by Yasmine Esfandiary hangs above Peter Mikic's 'Punch' console and aspect desk for The Lacquer Firm. The cushion on the armchair contains a needlework design from Tapisserie stitched by Rita. The armchair is upholstered in a captivating chintz by Rose Cumming and sits throughout from a deep couch coated in a zebra print. 'I really like how the couch feels fairly like Nineteen Seventies New York and stops the room from wanting too critical,' she says.
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Mark Anthony Fox11/101 Within the sitting room of Christian Bense's flat, the anchor piece got here from a traditionally-inspired cupboard that Christian had made bespoke for WOW!Home, which options floral work by ornamental artist Tess Newall and now hides his tv. ‘Though this can be a new piece, it doesn’t jar with the previous bones of the flat,’ he explains. Subsequent got here a bit classic couch from Retrouvius and a sensible couch mattress from Couch.com – one of many few new items – that Christian had restuffed by his upholsterer. ‘It’s an actual mixture of fairly invaluable items and stuff that’s value completely nothing,’ says Christian, gesturing to the best way within the sitting room that a few metallic items from Habitat sit alongside items that he and Matt have created and a David Shrigley print. ‘I actually consider that artwork needs to be an adjunct to a room and that you need to by no means choose one thing based mostly on it becoming in with a scheme,’ explains Christian. ‘If I really like a chunk of artwork, I’ll purchase it.’ A Rug Vista rug sits on the sitting room ground, with an armchair from 1stDibs, upholstered in a Northcroft cloth. The cupboard is bespoke by KUDOS and was initially designed for Christian's Wow Home room on the Design Centre Chelsea Harbour in 2023.
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12/101 The entrance sitting room of Charleston conservator Kathy Crisp's Sussex home is painted in Farrow & Ball's ‘Setting Plaster’, with the Bloomsbury-esque design on the high in ‘James White’. A sculpture by Quentin Bell stands in the course of the bookcase, purchased by Kathy from the Charleston store. The entrance sitting room feels notably Charleston-esque, with its painted scallops across the cornicing, cabinets bursting with books, and a wonderful armchair coated in ‘West Wind’, a Duncan Grant design now you can purchase on the Charleston store. It's Kathy's favorite place to retreat with a e-book, and certainly the sunshine that streams in from the south-east is magical. “It was an austere home after we moved in,” says Kathy, “and the alternative of cosy. However now it's a heat, inviting area, and I'm proud that we did all of it ourselves.”
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Tom Griffiths13/101 In Greta Bellamacina and Robert Montgomery's Georgian home in Kent, a selfmade distemper has been utilized on the music room partitions, impressed by the look of an Italian palazzo. A number of the plaster reliefs are by artist Tim Noble, with others from Lassco. Sofas with cushions by Beata Human and an ottoman from Oka stand on the vintage rug. The chandelier was purchased in a Roman vintage store and the painted bench is from The French Depot.
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Ben Pentreath14/101 Glazed and lacquered olive-green partitions – painted by Mathew Bray and Matthew Collins – glow in an astonishing method within the afternoon daylight of Charlotte Dellal's home, embellished by Ben Pentreath. The fireside was current, in a stripped neoclassical pine – in fact, initially it could have been painted, however Ben loved its heat and feeling of age. He added a brand new membership fender with a vibrant turquoise horsehair seat. Armchairs are upholstered in Michael S. Smith’s ‘Grace’ chintz, and a Beni Ourain rug sits on the seagrass ground.
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Boz Gagovski15/101 Brown is definitely having a second, and we love the wealthy tobacco hue of this front room in Sasha Sarokin's London home, embellished with assist from Lucy Mayers. My household mentioned, please don't use that color, you'll remorse it, however Lucy gave me the boldness to do it,” says Sasha. “I knew precisely what it wanted to be, however I couldn't discover the precise proper shade. After which it turned up within the Dulux vary on the ironmongery store. I simply sit and stare on the partitions in that room, I adore it a lot.”
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Dean Hearne16/101 Designer Carolina Irving's Portuguese home options dried gunnera leaves and an paintings given to Carolina by her good friend Christian Louboutin hangs above a desk coated in a conventional white Portuguese material. Bujosa Tèxtil’s hand-woven materials, typical of Mallorca, had been used for the seat cushions on the banquette and chairs. Carolina’s husband Bertrand made the desk.
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Boz Gagovski17/101 “We use our sitting room on a regular basis within the winter. Although it's principally exterior partitions and has hopeless radiators, we put the fireplace on which makes it the cosiest place," says the proprietor of this 300-year-old cottage with sweeping views of the South Downs nationwide park. The sofas are from Lorfords, with some cushions from Pierre Frey and others made up in Claremont materials. The footstool is roofed in Man Goodfellow's ‘Olive Sacking’.
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Michael Sinclair18/101 The interiors of this placing home in Somerset had been created in sympathy with proprietor Orlando’s assortment of mid-century furnishings. Two ‘Day’s Discussion board’ sofas – Habitat reissues of Robin Day’s unique 1964 design for Hille – are complemented by a brand new Habitat rug and a Nineteen Seventies espresso desk by Richard Younger for Merrow Associates. A ‘PH 5’ pendant mild by Poul Henningsen for Louis Poulsen picks up on the placing acrylic portray by Ruth Wurzburger on the wall
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Milo Brown19/101 The woodwork on this sitting room by Lonika Chande is unique to the home and painted in a gloss ‘Murrey Pink’ by Papers & Paints. The wingback chair belonged to the consumer, and Lonika reupholstered it in a Soane stripe, with a seat cushion in a Colefax & Fowler mint linen, for the household canine to perch on. The minimize pile rug was made bespoke for the challenge by Disgrace Studios. The octagonal ottoman was made bespoke for the challenge – the highest is roofed in ‘Joseph, Persian’ by Lewis & Wooden and the bottom is a Colefax & Fowler blue linen.
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Mark Anthony Fox20/101 In Pippa Harris' Cotswold home, Emma Burns of Sibyl Colefax & John Fowler has designed calm, comfy interiors with textures and colors that echo the movie and TV producer’s array of work and ceramics by members of the Bloomsbury group. "‘I wished this to be a a lot cosier area, the place folks may learn, play playing cards and do jigsaw puzzles,’ explains Pippa. ‘The structure of the room jogged my memory of Nelson’s flagship, HMS Victory,’ says Emma, who had bookcases constructed into the curved window alcove. The curtains are in a Man Goodfellow ticking. ‘We used it horizontally on the high and backside to create a beautiful border. Then we frayed the sides to kind its personal fringe.’
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Simon Upton21/101 The eclectic front room of Jane Ormsby Gore's Welsh home is painted in Invisible Inexperienced by Edward Bulmer giving a way of cosiness within the Welsh winters. The Georgian couch was inherited from Jane's grandparents and 'has seen a number of incarnations in several homes'.
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Boz Gagovski22/101 Daniel Slowik and Benedict Foley's front room of their Hackney flat is a lesson in elegant model in a small area. The fireside is a painted picket bolection sort from a financial institution in Poole; Daniel and Benedict adjusted it to make it flatter, and their good friend Charlotte Freemantle from Jamb suggested on and provided the marble slips. The vintage wing chair and the lantern are from Sibyl Colefax the place Daniel previously labored. The portray over the hearth is by Francis Cyril Rose and belonged to Cecil Beaton – it as soon as hung in his drawing room in Pelham Crescent.
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Mark Roper23/101 An unmodernised home in Sussex, courting again in elements to the fifteenth century, has been given a contemporary, vibrant look by inside designer Phoebe Hollond, with playful parts creating a particular but comfy household residence. The furnishings draw on basic English nation home themes, whereas bringing some Italian and French influences to the combo. There’s a delicate surrealism within the particulars that lifts the scheme from the mundane: amongst judiciously chosen antiques are idiosyncratic bespoke items designed by Phoebe, such because the pair of distinctive spiral-armed chairs with an Alice in Wonderland really feel within the sitting room.
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Owen Gale24/101 When Tobias Vernon, the gallerist and seller behind 8 Holland Avenue, opened a brand new area in Bathtub, he determined to create a superlatively subtle guesthouse the place guests can immerse themselves within the gallery's distinctive aesthetic. Furnishings, artwork and textiles from all the span of the twentieth century mingle with up to date items all through the home. Within the sitting room, a Cornish panorama Richard Cook dinner hangs over a modular sideboard by USM Haller. A pair of Forties chestnut wooden and woven hemp rope armchairs by Augusto Romano rounds off the seating space. The cushions on the chairs are Vanderhurd's ‘Waver’ design in {custom} colourways.
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Paul Whitbread25/101 In the lounge of this Oxford home by Charlotte Boundy, a Regency mahogany astragral glazed bookcase circa 1820 from Doe and Hope stands to the correct of the hearth. The Howard & Sons armchairs are the consumer's personal. A Fenghuang ceramic desk lamp from OKA stands on the aspect desk. The partitions are painted in Edward Bulmer's ‘Milk White’
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Mark Anthony Fox26/101 Within the sitting room of this Anna Haines challenge, deconstructed vintage armchairs upholstered in Claremont’s plain oyster ‘Toile Chenonceau’ and Bennison Materials’ ‘Benjelloun’ linen complement a classic Tabriz rug sourced from Farnham Vintage Carpets.
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Lucas Allen27/101 Work, together with a big Nineteenth-century depiction of the port of Nantes from Brownrigg and smaller works from Panter & Corridor and Etalage, are suspended from a Collier Webb image rail with Visible Consolation & Co image lights in Bunny Turner's home. A bespoke dresser showcases a set of confit pots sourced from vintage gala’s and a Chinese language horse sculpture present in France. The blue and yellow tones are picked up by Penny Morrison cushions on a pair of Georgian Gainsborough chairs.
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Paul Massey28/101 Howe London’s ‘Den’ armchairs in a striped velvet and a settee in ‘Alizarine’ by Le Manach from Pierre Frey choose up on a Nineteenth-century Harshang rug from a Woolley & Wallis public sale on this front room by Henriette von Stockhausen. Their wealthy tones are balanced by an ottoman in Claremont’s ‘Straub Twill’ in celery, a membership fender in ‘Hampstead Verdure’ by Watts 1874 and partitions in Farrow & Ball’s ‘Ball Inexperienced’
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Dean Hearne29/101 The sitting room within the newer a part of Blanche Vaughan's home was initially furnished by Robert Kime. Later Hugo's good friend Camilla Guinness repainted the partitions in Oxblood distemper and added bookshelves, a log retailer and berber rugs. The sofas, chairs, ottoman and fabric materials are from Robert Kime.
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Paul Massey30/101 This small sitting room in a Nineteenth-century home by Rita Konig is a masterclass in mixing color and sample. A blind in Le Manach’s ‘Galigai’ and an armchair in Pierre Frey’s ‘Izmir’ in rouge are set off by woodwork in Paint & Paper Library’s ‘Kigali’.
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Mark Anthony Fox31/101 If including character to a newbuild is an issue you face, take inspiration from Rixo co-founder Orlagh McCloskey's London home. Limewashed partitions and an eclectic mixture of furnishings implies that the big, sq. rooms of the home are crammed with character.
The big paintings on the again wall of Orlagh's front room was painted by her. It’s flanked by stained glass home windows based mostly on plenty of references. They had been created by Maya Glass Studio in Acton.
On the yellow couch – which is the ‘Baxter’ from Milano Couch – cushions in clashing patterns have been layered. The Picasso cushions are from The Conran Store, the blue are from OKA, and the brown ones are Soho Dwelling. Underfoot, a rug from OKA grounds the scheme.
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Paul Massey32/101 In her home in Provence, Victoria Stainow has moved the hearth and put in a replica chimneypiece, which has turned the darker finish of the room into an inviting area. Two Nineteen Eighties sofas of their unique pink brocade cloth are teamed with a ceramic aspect desk by Caitriona Manoury, vintage chairs from Patrick Pascal in Fontvieille and a mid-century espresso desk. A portray by Catharine Warren gives a particular focus.
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Paul Massey33/101 On this Corfu home designed by Martin Hulbert, pure supplies and colored glass add depth and intrigue to the in any other case mild and ethereal area. Papier-mâché lamps by MHD, paired with shades from Samarkand Design, shed mild over one of many sofas; behind the opposite, Paolo Moschino ceramic desk lamps body a show of vibrant glassware.
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Christopher Horwood34/101 Artist Natasha Mann has used her south London residence as a canvas for her Moroccan-inspired work. Within the sitting room is a snapshot of a curated assortment of tapestries, ceramics, plates, miniatures, and tribal artworks sourced by Natasha throughout her in depth travels for inspiration.
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Mark Anthony Fox35/101 In Thomas Dane's Gloucestershire home, excessive ceilings and light-weight, white partitions go away loads of area for the colourful cushions and curtains, which brighten furnishings in muted hues. The vintage desk from Gordon Watson sits on Suffolk rush matting.
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Tom Griffiths36/101 In her Bristol flat, Kate Cox knew she wished the lounge to be yellow the second she noticed it. ‘I painted enormous blocks of various shades all around the partitions and we lived with them there for weeks’. Finally, she selected Farrow & Ball’s ‘Sudbury Yellow’ as a, ‘vibrant however not overpowering’ backdrop to her assortment of objects and artwork.
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© Rachael Smith Pictures Ltd37/101 In a Norfolk cottage designed by Anna Haines, a comfy ambiance is created by layering textiles and prints. A settee in Tinsmiths’ ‘Checker’ cloth in daybreak gray picks up on partitions in Paint & Paper Library’s ‘Porcelain V’, whereas an ottoman in Robert Kime’s ‘Caspian’ cotton, a kilim from London Home Rugs and slipper chairs in Rose Uniacke cotton velvet in cedar introduce hotter tones that echo the unique fire.
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Simon Brown38/101 Low ceilings and uncovered brick on this Wealden corridor home in Kent may have been an ornamental problem for the dream group of designers that tackled it, however a combination of nicely chosen antiques, bespoke items and vibrant materials have saved it feeling inviting and contemporary. The footstool coated in Namay Samay’s ‘Edirne’ stripe, rugs from Robert Stephenson and Vanrenen GW Designs’ assortment, and curtains in ‘Susani Pink’ linen from Robert Kime add wealthy color and sample.
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Christopher Horwood39/101 Entertaining is excessive on the precedence record for Nina Campbell, and the sitting room at her Chelsea home features a comfy banquette that enables for versatile seating. ‘The perfect factor I’ve carried out in the home is the lacquered ceiling as a result of I couldn't make that room any greater. Then I've bought that mirrored wall and also you see how every thing displays.’ The built-in banquette was {custom} made for the area and is upholstered in a cloth by Le Manach from Pierre Frey.
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Mark Anthony Fox40/101 Drawn to this cottage within the Cotswolds by the charming additions made by its earlier interior-designer proprietor, the present custodian was eager to make her personal mark with a sympathetic extension and interiors that mirror parts of her life in Portugal and her Scandinavian roots. This area is a casual sitting room that kinds a part of the open plan kitchen. Will Foster Studio created hand-painted chinoiserie murals for all the area, that are echoed by blue and white porcelain and smooth furnishings. Howard & Sons sofas in a Claremont linen, with cushions in GP & J Baker’s ‘Seacliffe’ in sky and Blithfield’s ‘Wicklewood’ in blue, flank an Oka espresso desk in entrance of the French 18th-century limestone chimneypiece.
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Christopher Horwood41/101 Having moved from Atlanta to London together with her husband through the pandemic, inside designer Sally Wilkinson has created a one-bed flat in Chelsea that could be a love letter to the couple's time in Europe. The lounge is a beautiful mixture of classic and bespoke, drawing from completely different European types and design approaches. With a chilled color palette and comfy furnishings, it’s the good retreat.
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Dean Hearne42/101 On this comfy comfortable in an inside designer's Seventeenth-century farmhouse in a secluded Devon valley sits an vintage reconditioned couch coated in a stripe by Mulberry Dwelling takes centre stage within the comfortable, with a number of cushions from Ralph Lauren Dwelling. The ‘Geese’ paintings is by Mick Manning.
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Michael Sinclair 43/101 An Eliza Bonham Carter portray hangs in the primary seating space of this harmonious flat in west London, the place a settee by Intro Papadatos and a Vittorio Introini ‘Scultura 190 Lounge Chair’ – reupholstered by Susan Osbourne in Pierre Frey’s ‘Teddy Mohair’ velvet – encompass the Gary Gutterman espresso desk on an vintage Persian rug.
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Simon Brown44/101 In the lounge of this artfully layered London home designed by Salvesen Graham, a pair of matching piped nook sofas provides a delightful sense of symmetry to this casual residing area, which seems to be onto the backyard.
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Alexander James45/101 The sitting room of this charming Notting Hill pied-à-terre designed by The Listing member Sarah Peake of design agency Studio Peake, with materials put collectively by Sophy Toller of Studio Peake, is the place each the consumer and the studio flexed their love of textiles. The patterned curtain cloth is Samarkand by Peter Dunham from Tissus D'Helene, whereas the partitions are coated in plain linen from Fermoie. On the ground, a bespoke rug from Vanderhurd. The sofas are each bespoke by Studio Peake: the patterned couch is in Peter Dunham Carmenia Col. Indigo, the inexperienced couch is mohair from Yarn Collective and linen from Rose Tarlow.
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Learn McKendree46/101 Regardless of being a north-facing room, the lounge of this elegant flat on New York's Higher East Facet welcomes in ample pure mild, which Lilse felt was essential to maximise. The pouf's patterned, olive inexperienced cloth is “Star Atlantico” in Grass, by Michael Smith with Jasper.
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Mikey Reed Photography47/101 Having restored the elegant Victorian options of this ethereal flat in north London, designer Alice Davies set about creating a chilled but eclectic backdrop through which a inventive younger couple may harmoniously reside and work. The sunshine-filled residing area is a cushty communal area, well-layered and showcasing an ideal mixture of extra fashionable and conventional furnishings and types.
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Martin Morrell48/101 In American decorator Remy Renzullo's characterful Chelsea cottage, the lounge is thoughtfully layered, its pale partitions stripped again to the naked plaster present a refined backdrop for a Flemish tapestry, which Remy purchased at public sale – ‘I used to be drawn to its pale colors and the actual fact it was broken appealed to me,’ he explains. An armchair discovered at public sale in Yorkshire is roofed in a Twenties English chintz; different classic materials collected through the years have been used to create covers for the cushions on the couch. A chic Regency desk stands on a mid-century carpet introduced again from Morocco.
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Owen Gale49/101 With its ethereal, light-filled extension, lush jungle backyard and gently embellished rooms, Tom and Connie Barton's London home looks like the best metropolis residence. Within the comfy, ethereal front room, a leather-based couch from Muuto gives relaxed seating within the up to date extension.
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Rachael Smith50/101 A custom-made Tatiana Tafur wallcovering showcases the Selena Beaudry portray above Natalie’s ‘Enveloped’ couch within the sitting room in inside designer Natalie Tredgett's Victorian terraced home.
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Artwork: Of Reality Profound, Michael Vaughan Courtesy Jenna Burlingham Gallery.51/101 The pièces de résistance within the sitting space of this cool and calm London home are the large Svenskt Tenn couch upholstered in Schumacher’s Citrus Backyard cloth and a chair upholstered in cloth by Métaphores. With espresso tables by McCollin Bryan and the George Smith lounge chair, the room is stuffed with cozy moments and an unimaginable view of the backyard.
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Sarah Griggs52/101 For this couple with a younger little one, it was a precedence to reside in a home that lent itself to household life as a lot as to entertaining. With the assistance of Tiffany Duggan, the small terrace in Chelsea is now an area that thrills as a lot because it features. The principle sitting room was designed for entertaining, so loads of seating was introduced in. The lime inexperienced mohair armchairs are Tiffany's personal design.
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Michael Sinclair 53/101 Designer Nina Litchfield has introduced the influences of her Brazilian roots and German upbringing to bear on her home in west London, through which her robust and distinctive look is enlivened with a chic exuberance. The limestone fire from Arbon Interiors in the lounge is flanked by chairs bough at Tons Street Auctions. The George smith couch is roofed in Schumacher's Madeleine Velvet.
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Matthew Kissiday54/101 Within the sitting room of this Connecticut nation home designed by Elizabeth Hay, a grasscloth wallcovering by Phillip Jeffries provides texture to the scheme, whereas the curtains and blinds are in Robert Kime's ‘Tashkent’ sample. The ottoman is roofed in Clarence Home's ‘Pienza’ weave.
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Simon Brown55/101 Taline Findlater rapidly imbued her unusually-shaped residence – perched atop a hill with stunning views of the Chilterns – with the appeal you’d anticipate to build up over thirty years, although she and her household have solely been there for 3. The sitting room is a relaxed area, crammed with the materials Taline loves.
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Rachael Smith56/101 When Caroline Riddell was known as upon to renovate and reimagine a run-down, Seventeenth-century cart shed as visitor quarters for a bigger home, she turned to conventional strategies and supplies to verify the area could be welcoming and cosy for anybody who occurred to cross its threshold. The open-plan residing area showcases Caroline's mastery of the transient completely. The pendant mild is an Aplomb mild in Cement from FCI London. The desk is a French farmhouse desk and the sideboard on the finish of the room was discovered on website in one other empty barn.
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Martin Morrell57/101 In the lounge of this pared-back Wiltshire farmhouse, a bespoke Thurstan couch and an African throne chair, sourced by James, are organized round a espresso desk that he had constructed from an previous piece of chestnut. The summary portray is by Basil Beattie.
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Paul Massey58/101 Sofas by Amy Somerville in a Claremont mohair and classic armchairs re-covered in blue leather-based are organized round an ottoman in Rose Uniacke’s ‘Heavy Weight Linen’ in the lounge of this nation home overlooking the South Downs. Partitions in ‘Tribe’, a Paint & Paper Library archive color, showcase the unique columns painted in a marble impact by ornamental artist Ian Harper.
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Michael Sinclair59/101 Within the drawing room of this irresistible Georgian home in a flower-filled valley, designer Sophie Hale has mixed vintage furnishings with items present in Istanbul, such because the three Syrian inlaid aspect tables purchased from Iznik Classics. As with the morning room, the carpet, from Farnham Vintage Carpets, units the color scheme.
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Stephen Karlisch60/101 With the assistance of inside designer Melissa Morgan, one man’s dream of getting an genuine log cabin on his Texas property has been dropped at life with a transplanted Nineteenth-century picket construction crammed with native antiques and loads of rustic spirit. The lounge, stuffed with quaint, easy but comfy furnishings, is an ideal embodiment of the cabin's ‘rustic stylish’ glamour.
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Dean Hearne61/101 In the lounge of Design Director of de Gournay India Holmes' superb Highgate abode, a William Yeoward couch is paired with a striped couch that India inherited from her household. The espresso desk is by Italian designer Tomasso Barbi and was made within the Sixties. “I had as soon as glanced on one about 4 years in the past in Paris and was completely obsessed,” explains India. “I spent a very long time searching for one, a number of come up on-line however they arrive with a hefty price ticket. Then in a stroke of luck, a colleague was going vintage sourcing in Palma. I requested if she may maintain her eyes peeled for one simply in case and lo and behold, inside a hour she had known as me and bought me an excellent deal.”
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James McDonald62/101 Decorator Chloe Willis' personal London home is not only a showcase of her expertise, however a marvel in creating a cushty nation really feel within the coronary heart of town. In the lounge, a wall was eliminated to profit from the morning and afternoon mild and new bookcases, the backs painted in Farrow & Ball’s Blazer, put in. Chloe designed the minimal fire which is constructed from a picket body crammed with plaster and sand. The espresso desk from Loran & Co is an early 20th century Chinese language export and reminds her of her early years rising up in Asia. The bowls are by her mom, Cecilia Willis. The big striped cushion on the couch is constructed from an vintage silk Jajim discovered on the Cetinkaya gallery in Istanbul and backed with a red-dyed vintage French linen sheet. The relaxed Roman blind is constructed from Pierre Frey’s Ochre Cabriere linen with a barely glazed end.
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Jake Curtis63/101 In her basement flat in west London, inside designer Thea Speke has created a masterclass in lightening and brightening a probably gloomy area. Within the sitting room, Thea had the orange and rust colored cushions made up from materials that she sourced from Goldhawk Street and Rose Uniacke.
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Paul Massey64/101 A basic open-plan residing area, the nice and cozy pure tones and textures of parquet by Oak Artisans and a sisal rug by Tim Web page soften the traces of the minimalist kitchen (left) on this London home designed by Kerry Franses.
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Christopher Horwood65/101 Serial renovators of historic homes on a grand scale, the dynamic design duo Peter Sheppard and Keith Day took on their biggest problem but with beautiful 18th-century Wolterton Corridor in north Norfolk, which had lain uninhabited for nearly 30 years. Initially for royal guests staying within the adjoining State Bed room, that is now the primary sitting room. Discuss grand.
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Milo Brown66/101 The sitting room on this mid-century home in Holland Park is a beautiful twin side light-filled area. The spherical elevate up storage ottoman is a bespoke design, repurposing classic cloth from curtains in the home's unique entrance corridor. The {custom} fireplace encompass was made for the area from fossilised stone and bronze by the purchasers’ husband, sculptor Johannes von Stumm. The within again of the shelving both aspect of the fireplace encompass is painted in Farrow & Ball’s Mouse’s Again and has been designed to show a pair of Johannes’ sculptures.
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Paul Massey67/101 The {custom} magnolia paint from Edward Bulmer on the partitions units off a chic combine of materials in the lounge of this good-looking Queen Anne home in Norfolk. These embrace Namay Samay’s ‘Pangkeb Churi’ silk in sandalwood, used to upholster the pair of armchairs, Carolina Irving’s ‘Indian Flower’ linen on the only armchair and Bennison Materials’ ‘Dragon Flower’ curtains. The desk lamps are constructed from Nineteenth-century Chinese language vases, with shades in a 36 Bourne Avenue chintz.
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Paul Massey68/101 In the lounge of a novelist's home in London, a striped ottoman by Susan Deliss sits on a rug from Robert Kime, subsequent to the couch in burnt-orange velvet from Couch.com, which divides the sitting and eating areas. The blue resin lamp by Marianna Kennedy and classic lifebuoys from Criterion public sale home add vibrant touches.
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Paul Massey69/101 The lounge of this Arts and Crafts home designed by Brandon Schubert cleverly mixes color, furnishing model and texture – the proper mélange for a communal area.
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Mark Fox70/101 In the lounge of Alfred Bransen's Hackney flat with fairly a Danish sensibility, a settee from IKEA mixes with a classic espresso desk and plenty of vibrant smooth furnishings. The cushions are a mixture of Hay and The House DK, whereas the fish that cling above the couch are Alfred's collaboration with Ohayo, a Danish model that imports Japanese antiques, ceramics, classic textiles and curiosities and celebrates the Japanese aesthetic in Scandinavia.
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Simon Bergström71/101 The couch in the lounge of Sebastian Bergström's tiny Stockholm flat is an Ikea Karlstad couch with a linen cowl by Bemz Design. Sebastian added the scallop to his espresso desk and painted it in ‘Sage and Onions’ by Little Greene.
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Simon Brown72/101 In Beata Heuman's London condominium, the lounge options Pinch ‘Moreau’ sofas, which sit reverse each other in the lounge. There’s a mixture of mid-century fashionable and countryside model, an surprising but however match for the area.
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Simon Upton73/101 Nicky Haslam's Cotswold's home is stuffed with wit and appeal and the lounge is especially stuffed with charisma. The curved couch is a design by Nicky, coated in scarlet carriage material from Studio QD. A bathtub chair from James Jackson in Lillie Street, SW6, sits in entrance of a white whatnot, one among William Yeoward’s earliest items, which holds copies of Nicky’s adorning books and is topped by a fibreglass coral purchased in Antiparos. The triangular field seat is vintage Swedish. The carpet from Silk Avenue displays mild from the french home windows.
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Owen Gale74/101 Laura Muthesius and her spouse, stylist Nora Eisermann have made a chic residence within the German countryside. The couch and armchair are each the ‘Fly’ design by House Copenhagen, purchased from &Custom, whereas the espresso desk is a Gubi design. The rug is from the Swedish model Cappelen Dimyr. Laura and Nora discovered the fluted panelling behind the room at The Floor Studio and added a shelf on high.
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Chris Horwood75/101 The principle residing space of Sally Wilkinson's rented flat. Couch by Couch Icon coated in a Claremont cloth, lumbar cushion in Rose Tarlow cloth, small cushions by De Le Cuona. Facet desk is vintage and occasional desk is classic from Vinterior. Inexperienced lamp by Penny Morrison with lampshade by Robert Kime. Eating desk is classic from Petersham Nurseries, tablecloth custom-made with cloth by Chelsea Textiles. Eating chair slipcovers custom-made from Claremont cloth.
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Mark Anthony Fox76/101 Inside designer Charlotte Boundy has introduced heat and color (courtesy of some dream moodboards) to her home in Shepherds Bush. Within the sitting room, painted in Farrow & Ball’s ‘Joa’s White’, Charlotte saved the prevailing bookshelves and had them painted in ‘London Stone’ by Farrow & Ball. Lorford’s ‘Elmstead Couch’, upholstered in GP & J Baker’s Thornham Spice (a fortunate win from an NHS charity public sale throughout lockdown), brings sample into the room, as does a lampshade from Nushka Interiors. The ebonised gilt vintage mirror, which hangs above a Portland stone fire from Jamb, was purchased years in the past from Lillie Street.
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Christopher Horwood77/101 Briefed by his purchasers so as to add some oomph to the primary rooms on this Georgian townhouse in London, Carlos Garcia has infused the interiors with color whereas sustaining a way of restfulness and calm. The drawing room is painted in ‘Welmish Blew’ by Edward Bulmer. A ‘Redcliffe’ couch by David Seyfried stands on the again, with a Bidjar Garrus carpet from Afghanistan discovered at Farnham Vintage Carpets on the ground.
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Ollie Tomlinson78/101 Inside designer Anahita Rigby brings a Regency home in London out of the darkness and into the sunshine together with her smooth, ethereal and detail-oriented design. The well-appointed front room options two Agatha armchairs from Arlo and Jacob, Elica folding stools from Giobagnara and a Grisewood lamp from OKA. The travertine desk is from Golborne 44, as is the strong elm chair, which was designed by Finnish designer Olavi Hänninen. The chandelier is an vintage Murano, sourced from Italy; the globe was discovered on the Sunbury antiques market in Kempton.
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Jonathan Bond79/101 When she needed to make her new cottage comfy and habitable within the interval earlier than a full renovation, inside designer Katharine Paravicini made some intelligent choices about the place to splurge and the place to rein within the finances. As in a lot of the home, the partitions in the lounge are painted in Farrow & Ball's 'Pointing', which kinds a impartial backdrop for Katharine's preparations of materials. The rug was a bespoke fee from India.
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Christopher Horwood80/101 What was as soon as a 9 bed room bedsit has been reworked by Natasha Howard, the designer behind Instagram's 'Philamena', into a chic and alluring household residence. The sitting room, painted in 'Murrey Pink' from Papers and Paints, has a grown-up subtle really feel, with a marble fire from Lassco, a mirror Reed & Wright and curtains constructed from Howe at 36 Bourne Avenue's 'Satin Stripe'.
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Paul Massey81/101 The transient for this London maisonette was twofold: to function an environment friendly but interesting crash pad through the week and as a household base within the holidays. Henri Fitzwilliam-Lay has exceeded each expectation with a change that marries simple class with practicality. In the lounge, the partitions in ‘Slate IV’ by Paint & Paper Library, used all through, present a peaceful backdrop for paintings together with Tom Hammick’s massive portray ‘Residing Room’. The ‘Los Angeles’ sectional couch from Marie’s Nook is brightened with a vibrant mixture of cushions, together with Christina Lundsteen’s sq. ‘Nova’ and rectangular ‘Poppy’ patchwork velvet designs. The brass-framed, marble-topped ‘Rufus’ espresso desk from Andrew Martin stands on a classic rug from Robert Stephenson.
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Line T Klein82/101 A painted ceiling is simply one of many playful design concepts on this vibrant Copenhagen condominium. The teal inexperienced ceiling is painted in Early Spring by File Below Pop and the pink paintings by Mathias Malling Mortensen. The piano lamp is by Verner Panton. The blue portray over the piano is by American artist Emma Kohlmann and was purchased at V1 Gallery.
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Paul Massey83/101 The colourful yellow wall color flows over onto the door and doorframe in Rosi de Ruig's home. The lounge's partitions in Paint & Paper Library’s ‘Chinese language Emperor’ supply a heat distinction to the ‘Cow Parsley’ wallpaper from Cole & Son in a smooth blue within the corridor. A big portray of flowers by Flora Roberts, whose designs Rosi typically makes use of for her lampshades, hangs above a now-discontinued couch from Atelier Ellis.
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Owen Gale84/101 In Alice Palmer’s north-west London home, the hallway opens into the sitting room, which has partitions painted in Little Greene's ‘Aged Ivory’ with a wallpaper impact by the ornamental painter Hughie Turner. The couch is upholstered in Alice's blue ‘Callaloo’ hand block printed cloth. Alice painted the stripes on the hearth utilizing ‘Oxblood’ from Francesca’s Paints.
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Rachel Whiting85/101 The artist homeowners of this London home known as on inside designer Beata Heuman to create a household residence stuffed with enjoyable, distinctive design and punchy colors. A extremely unique area, unapologetically theatrical and oozing vitality. 'The homeowners are each artists. They’ve fairly wild tastes and so they love robust colors,' says Beata. The designer has hid the tv in a red-lacquer cupboard with glazed doorways framing maps. The ottoman serves as a espresso desk, so the highest is upholstered in 'Asphalte' by Métaphores, a double-sided linen/cotton material with a rubber coating that makes it wipeable. It additionally gives storage. 'This model of ornament can look cluttered, so I’ve put storage in all places to streamline it,' says Beata. The armchairs are from the homeowners' previous at, reupholstered in cotton denim from I Need Material.
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Paul Massey86/101 The imaginative restoration of the home through which JM Barrie wrote Peter Pan has teamed sensitivity to its historical past, together with a number of literary allusions, with a powerful method to color and design particulars. Paint is just taken up the partitions to the ledge, making this grand and tall front room really feel a bit bit extra intimate. Chairs from Howe are coated in GP & J Baker’s ‘Meadow Fruit Velvet’. Panelling in ‘Glass V’ by Paint & Paper Library tones with cupboards from Lorfords Antiques. To evoke the room’s Edwardian heyday, inside designer Sophie Ashby layered patterns on new and vintage furnishings. The footstool was embroidered by Advantageous Cell Work in a homage to Peter Pan, references to that are additionally hid in a video games desk by Hugh Miller.
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Christopher Horwood87/101 Digital inventive and model marketing consultant Lucy Williams has tackled her first renovation with confidence and aptitude, filling the Victorian terrace with daring color and thought of items. One of many first issues Lucy determined to do was incorporate “bookcases and sliding pocket doorways to divide the 2 sitting rooms.” Buchanan Studio stepped in to design the “intelligent adjustable bookcases," matching the fluted cabinets to the fluted surrounded that will also be seen from the bar space. With the little handles discovered at Ardingley Market, Lucy says it "took ages to supply the correct measurement, reclaimed pocket doorways for the area." A Maker & Son couch gives a counter to the intense blue partitions, painted in archive Farrow & Ball color ‘Yonder’. Within the foreground, the little chair is classic and reupholstered in Man Goodfellow stripe linen. The paper Shade is Hay and the log basket is from Tat.
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Michael Sinclair88/101 An inviting couch and ottoman in pure linen carry extra softness to inside designer Thea Speke's sitting room in her nation home. Partitions in Edward Bulmer Pure Paint’s ‘Jonquil’ are the backdrop for a portray by Chloe Lamb. Victorian armchairs re-covered in Rose Uniacke’s garnet ‘Jumbo’ corduroy present a wealthy distinction with an ottoman in her ‘Heavy Weight’ linen and a settee in George Spencer Designs’ ‘Joshua’ linen.
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Owen Gale89/101 When selecting the colors for the lounge in her four-bedroom Victorian home, Sandra Barrio von Hurter wished it to be a grown-up area. She landed of ‘Lichen’ by Farrow & Ball on the partitions, with ‘Hunters Dunn’ in a gloss end from Paint & Paper Library for the woodwork. A layer of pink tones within the furnishings and her and her husband’s assortment of books and a few of their artwork full the scheme. Cafe curtains on the underside half of the home windows let mild in however guarantee privateness from the road exterior.
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Owen Gale90/101 In search of a giant however budget-friendly paintings? Body a rug or throw as an alternative, like Alice Palmer did right here in her joyful London home. The hallway opens into the sitting room, which has partitions painted in Little Greene's ‘Aged Ivory’ with a wallpaper impact by the ornamental painter Hughie Turner. A BFGF wall hanging, framed by Harry Eagle, takes centre stage. The rug was one other discover from Marrakech.
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Paul Massey91/101 Reflecting the mixed imaginative and prescient of Jane Ormsby Gore and novelist Andrew O’Hagan, this former artist’s studio in Primrose Hill is very similar to a great piece of writing – a well-structured and punctiliously conceived area that continues to evolve because the creator makes it his personal. In the lounge classic Venetian mirror from Tarquin Bilgen is flanked by work by Anne Rothenstein and a pink lamp by Cressida Bell, in opposition to partitions in Edward Bulmer's ‘Invisible Inexperienced’. A flamingo from Graham & Inexperienced is beside an armchair in an Ian Mankin blue stripe, subsequent to which is a statue of a boy from Bora Bora.
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Paul Massey92/101 The lounge of textiles seller Susan Deliss' French nation house is painted a smooth blue, this completely counter balances her electic mixture of patterned materials. The pink couch, from George Smith, seems to be fabulous coated in a vibrant assortment of cushions.
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Martin Morrell93/101 For his or her newest home, a Nineteenth-century barn with outbuildings in Oxfordshire, Mark and Georgie Rowse have drawn on their in depth renovation expertise – and their tackle e-book of specialist artisans – to create a characterful and welcoming residence for themselves, their household and a number of visiting buddies. A velvet-covered vintage couch and a specifically commissioned ottoman upholstered in an previous rug make this sitting room an interesting spot to chill out.
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Paul Massey94/101 After having to go away her home in Chelsea, Alexandra Tolstoy has established a brand new base in London for her household and a workspace, which she has crammed with furnishings, textiles and folk-art items. Partitions painted in ‘Pimlico Inexperienced’ by Sibyl Colefax & John Fowler for Fenwick & Tilbrook distinction with woodwork in Farrow & Ball’s ‘Black Blue’. The armchair, from Love Your Dwelling, is roofed in ‘Sirin’ linen in terracotta from Volga Linen. The sheep is an vintage sourced by Daniel Slowik. Luke Irwin designed the Persian-inspired ‘Blue Popper’ rug.
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Rachel Whiting95/101 In Gabby Deeming's Bloomsbury flat, a ‘Poirot’ armchair, designed by Gabby for Arlo & Jacob’s Home & Backyard vary, is between Jali shelving and a Sika trolley. The selection of 'Caddie' from Paint & Paper Library for the partitions pulls the entire room collectively.
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Paul Massey96/101 This vibrant front room belongs to none apart from Rita Konig, in her County Durham farmhouse. Partitions in 'Invisible Inexperienced' by Edward Bulmer Pure Paints set off a settee from David Bedale Antiques in a classic cloth and a yellow-upholstered Gillows armchair. The espresso tables, probably from Sibyl Colefax & John Fowler, stand on a rug from Robert Kime.
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Paul Massey97/101 Within the open-plan front room of a Berkshire home by Nicola Harding, the seating space has a settee from Couch.com and classic armchairs reupholstered in a striped cloth from Tissus d’Hélène. The partitions are painted in ‘Tracery’ and the woodwork in ‘Normandy Gray’, each by Little Greene. The furnishings right here is deeply comfy; for recommendation on selecting sofas, armchairs, tables and far more, see our information to how to decide on front room furnishings.
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Paul Massey98/101 The drawing room in a Padstow home by Marion Lichtig encapsulates the 'seaside-meets nation' look of the inside, with its nineteenth century scallop-backed chair and rustic fire.
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Paul Massey99/101 Artist and maker Bridie Corridor has made her mark on her Victorian home in north London with eclectic collections of vintage finds and her personal eye-catching works set in opposition to daring blocks of color. On the far finish of the lounge, an Eero Saarinen eating desk with Hans Wegner ‘Wishbone’ chairs overlooks the backyard. Bridie’s assortment of vintage volcano work, acquired through the years, frames the big window.
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Sharyn Cairns100/101 Easy items of Georgian furnishings, together with a glazed bureau bookcase, have been used within the sitting room of Ben Pentreath's Georgian parsonage. The impact is eclectic and welcoming.
'The sitting room appeared to wish pink… After splashing splodges of varied pinks about, I known as Patrick Baty at Papers and Paints and he blended precisely the correct shade that warmed and softened the room.' The color is now in one among Patrick's paint ranges – naturally known as 'Parsonage Pink'. The furnishings is straightforward – no flounces, ormolu or undesirable frilly bits; nothing that’s not applicable. However greater than that, nothing that’s not fairly. It’s quiet, peaceable and comfy.
Having taken on the lease of a Georgian parsonage located in a Dorset village, Ben Pentreath set about furnishing and gently restoring it, making an affect with small, thought of modifications.
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Paul Massey101/101 Within the drawing room of Clare Mosley's Georgian home, the ambiance is heat and cosy, particularly with the hearth lit. Chimneypieces had been truffle-hunted from the backyards of varied sellers in north London, for the reason that homeowners had been very specific that these needs to be of the identical interval as the home. The sunshine in entrance of the correct window was as soon as an aspidistra stand, which Mark transformed. The couch is from George Sherlock.


